Illustration
The Art of Whaling: Illustrations from the Logbooks of Nantucket Whaleships
The 19th-century whale hunt was a brutal business, awash with blubber, blood, and the cruel destruction of life. But between the frantic calls of “there she blows!”, there was plenty of time for creation too. Jessica Boyall explores the rich vein of illustration running through the logbooks and journals of Nantucket whalers. more
Images have long provided a means of protesting political regimes bent on censoring language. In the 1830s a band of French caricaturists, led by Charles Philipon, weaponized the innocent image of a pear to criticize the corrupt and repressive policies of King Louis-Philippe. Patricia Mainardi investigates the history of this early 19th-century meme. more
Grandville, Visions, and Dreams
With its dreamlike inversions and kaleidoscopic cast of anthropomorphic objects, animals, and plants, the world of French artist J. J. Grandville is at once both delightful and disquieting. Patricia Mainardi explores the unique work of this 19th-century illustrator now recognised as a major precursor and inspiration to the Surrealist movement. more
Illustrating Carnival: Remembering the Overlooked Artists Behind Early Mardi Gras
For more than 150 years the city of New Orleans has been known for the theatricality and extravagance of its Mardi Gras celebrations. Allison C. Meier looks at the wonderfully ornate float and costume designs from Carnival’s “Golden Age” and the group of New Orleans artists who created them. more
Brief Encounters with Jean-Frédéric Maximilien de Waldeck
Not a lot concerning the artist, erotic publisher, explorer, and general enigma Count de Waldeck can be taken at face value, and this certainly includes his fanciful representations of ancient Mesoamerican culture which — despite the exquisite brilliance of their execution — run wild with anatopistic elephants and suspicious architecture. Rhys Griffiths looks at the life and work of one of the 19th century’s most mysterious and eccentric figures. more
Although Jacques Collin de Plancy’s Dictionnaire infernal, a monumental compendium of all things diabolical, was first published in 1818 to much success, it is the fabulously illustrated final edition of 1863 which secured the book as a landmark in the study and representation of demons. Ed Simon explores the work and how at its heart lies an unlikely but pertinent synthesis of the Enlightenment and the occult. more
With their intricate line and often ghoulish tone, the works of Irish artist Harry Clarke are amongst the most striking in the history of illustration and stained glass design. Kelly Sullivan explores how, unknown to many at the time, Clarke took to including his own face in many of his pictures. more
This year marks the 400th anniversary of the death of Miguel de Cervantes, author of one of the best-loved and most frequently illustrated books in the history of literature — Don Quixote. Rachel Schmidt explores how the varying approaches to illustrating the tale have reflected and impacted its reading through the centuries. more
The Strange Case of Mr William T. Horton
Championed in his day by friend and fellow mystic W. B. Yeats, today the artist William T. Horton and his stark minimalistic creations are largely forgotten. Jon Crabb on a unique and unusual talent. more
Tribal Life in Old Lyme: Canada’s Colorblind Chronicler and his Connecticut Exile
Abigail Walthausen explores the life and work of Arthur Heming, the Canadian painter who — having been diagnosed with colourblindness as a child — worked for most of his life in a distinctive palette of black, yellow, and white. more