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Cycling Art, Energy, and Locomotion (1889)
Innovations in transportation are “the most powerful factor in the evolution of man”, wrote the inventor and industrialist Robert Pittis Scott in the introduction to his treatise on bicycles, tricycles, and man-motor carriages. He proceeds to quote a “great”, though unnamed, “genius”, who suspects that a day will come when human limbs will “shrivel and drop off”, “being entirely dispensed with in the art of moving and manipulating matter”. And yet, in 1889, cycling heavily taxed the limbs rather than relaxing them to the point of atrophy. This was about to change for the better thanks to the recent development of the first practical inflatable tire by John Boyd Dunlop. While Scott thought the technology “one of the grandest ideas in the way of anti-vibration”, he also aired some doubts over its predilection for “cutting and collapsing” and seemed more enthused by the possibility of a flexible rim which simply buckled its way over obstacles.
Scott peered into the future, and narrowly missed laying claim to it, with his predictions about the Safety bicycle, which sported a rear-mounted chain drive, ball-bearing hubs, a steel frame, and equal size wheels — many of the features now common across cruisers and ten-speeds. Though the initial hundred pages of his book take the high-wheeled Ordinary or “penny-farthing” as standard, Scott was one of the first Americans to sense the potential of a rear-driven design. A millionaire manufacturer of iron fruit-paring devices, Scott had made the overseas journey to Coventry, the world’s leading bicycle-manufacturing city, to commission a custom two-wheeler, which — he would discover with frustration — almost exactly matched the specifications of England's newly unveiled Starley Rover, the first mass-produced Safety bicycle.
At a time when British and American physicians published dire warnings about bicycles causing hernias, varicose veins, hemorrhoids, and “urethral stricture”, Scott reassured his readers that they merely needed to choose the right saddle and suspension springs to keep their spine and pelvic anatomy intact. He championed women’s adoption of the new sport, arguing that “less seraphic and more muscular tissue tends to make us all happier”. As springy as a Brooks saddle on Dunlop tires, Scott’s prose is delightful even when taking up the biomechanics of machine and rider, but it reaches empyrean heights in the book’s second half, which is prefaced by a hysterical self-deprecating account of his own patent application tribulations. Scott arrives on an honest algorithm for hobbyists who misunderstand the mathematics of invention:
Scale of proportional genius required for each department in benefiting mankind (and yourself) by means of invention: 2%, inventing; 7%, getting into shape; 3%, getting American patent; .01%, getting English patent; 10% getting patent through court; 28%, getting the money; 49.99%, keeping it after you get it.
Part II’s whimsical and illustrated tour through the previous century of “man-motor locomotion” pairs technical drawings and brief texts from patent applications with satiric running heads and humorous single sentence reviews of a wild peloton of wheeled contraptions, including: “A Machine-Shop on Wheels”, “Rig-a-Jig-Jig and Away We Go”, “The Power Never Ceases”, “My Kingdom for a Horse”, and “Said Not to Tumble Over”. The book concludes with Colorado machinist Reuben Jasper Spalding’s Da Vinci-esque “Improved Flying-Machine” (Patent #396,984) — christened “The Coming Man” by the author. Scott too spent years experimenting with airships, before training his eye on pneumatic tires. . . for automobiles.
A propelling carriage by Thomas Bramley and Robert Parker. “If the cuts fairly represent the inventors, truly no one can deny that they were handsome fellows.”
The Bolton Machine. “I am constrained to think he. . . believes in the inherent power of the gear wheel; at least the four wheels, where there is no demand for more than two, would suggest this idea.”
French patent to M. Julien. “[He] proposes to do up his ploughing, and then mount his cycle and off to town for an airing”
E. Landis' equine velocipede, or, bone-shaker
T. W. Ward's velocipede. “How Mr. Ward proposed to steer is not made quite plain.”
John J. White's new and improved velocipede, which allows a rider to “walk with the vehicle”
George Sturdy and Solomon Young's vehicle of amusement. “Some young and sturdy ‘Children of Larger Growth’ invent a whirligig”
Richard C. Hemmings' velocipede featuring a transversing-wheel
“An early tandem showing the true sociability of the same; observe the peaceful harmony of the city gentleman, with chimney-pot hat, and the sombreroed cow-boy.”
F. H. C. Mey's velocipede. “Two twenty-five pound dogs would hardly tread-mill a hundred-pound vehicle and a hundred-and-fifty pound female up some of the Baltimore hills.”
J. L. Hornig's velocipede. “Good for Mr. Hornig!”
Edward George Bruton's velocipede. “We have heard the tricycle compared to a tread-mill by unkind and wearied riders, but it has remained for our English brother, Mr. Bruton, to make the comparison a veritable fact.”
“This gallant tandem inventor was at least not guilty of requiring his lady to do any work.”
John Otto Lose's new and improved one-wheeled vehicle. “Mr. Lose drew his unicycle in better proportions than his man; perhaps he made the rider's limbs light to show that the machine would run easy.”
Reuben Jasper Spalding's flying machine
Mar 9, 2022