Essays
Performance

Of Angel and Puppet: Klee, Rilke, and the Test of Innocence

Of Angel and Puppet: Klee, Rilke, and the Test of Innocence

Built for his son from the scraps of daily life — matchboxes, beef bones, nutshells, and plaster — Paul Klee’s hand puppets harbour ghosts of human feelings, fragile communications from a world most adults have left behind. Kenneth Gross compares these enchanted objects to angelic figures, in Klee’s artworks and the poetry of Rainer Maria Rilke, helping us dance as well as wrestle with their visions of innocence. more

Luigi Russolo’s Cacophonous Futures

Luigi Russolo’s Cacophonous Futures

What does the future sound like? In the early 20th century, one answer rang out from Luigi Russolo’s intonarumori — lever-operated machines designed to pop, sough, shriek, and shock. Peter Tracy explores the ambitions behind Italian Futurism’s experiments with noise and the sensory, spiritual, and political affinities of this radical new music. more

Laughter in the Time of Cholera

Laughter in the Time of Cholera

Political instability, popular unrest, and an impending pandemic? Welcome to France in the early 1830s. Vlad Solomon explores what made Parisians laugh in a moment of crisis through the prism of a vaudeville play. more

Circassian Beauty in the American Sideshow

Circassian Beauty in the American Sideshow

Among the “human curiosities” in P. T. Barnum’s American Museum was a supposed escapee from an Ottoman harem, a figure marketed as both the pinnacle of white beauty and an exoticised other. Betsy Golden Kellem investigates the complex of racial and cultural stereotypes that made the Circassian beauty such a sideshow spectacle. more

<i>Black America</i>, 1895

Black America, 1895

During the summer of 1895, in a Brooklyn park, there was a cotton plantation complete with five hundred Black workers reenacting slavery. Dorothy Berry uncovers the bizarre and complex history of Black America, a theatrical production which revealed the conflicting possibilities of self-expression in a racist society. more

When Dorothy Parker Got Fired from *Vanity Fair*

When Dorothy Parker Got Fired from Vanity Fair

Dorothy Parker’s reputation as one of the premier wits of the 20th century rests firmly on the brilliance of her writing, but the image of her as a plucky, fast-talking, independent woman of her times owes more than a little to her seat at the legendary Algonquin Round Table. Jonathan Goldman explores the beginnings of the famed New York group and how Parker’s determination to speak her mind — even when it angered men in positions of power — gave her pride of place within it. more

Loie Fuller and the Serpentine

Loie Fuller and the Serpentine

With her “serpentine dance” — a show of swirling silk and rainbow lights — Loie Fuller became one of the most celebrated dancers of the fin de siècle. Rhonda K. Garelick explores Fuller’s unlikely stardom and how her beguiling art embodied the era’s newly blurred boundaries between human and machine. more

Vernon Lee’s Satan the Waster: Pacifism and the Avant-Garde

Vernon Lee’s Satan the Waster: Pacifism and the Avant-Garde

Part essay collection, part shadow-play, part macabre ballet, Satan the Waster: A Philosophic War Trilogy (1920) is one of Vernon Lee’s most political and experimental works. Amanda Gagel explores this modernist masterpiece which lays siege to the patriotism plaguing Europe and offers a vision for its possible pacifist future. more

Robert Greene, the First Bohemian

Robert Greene, the First Bohemian

Known for his debauched lifestyle, his flirtations with criminality, and the sheer volume of his output, the Elizabethan writer Robert Greene was a fascinating figure. Ed Simon explores the literary merits and bohemian traits of the man who penned the earliest known (and far from flattering) reference to Shakespeare as a playwright. more

Machiavelli, Comedian

Machiavelli, Comedian

Most familiar today as the godfather of Realpolitik and as the eponym for all things cunning and devious, the Renaissance thinker Niccolò Machiavelli also had a lighter side, writing as he did a number of comedies. Christopher S. Celenza looks at perhaps the best known of these plays, Mandragola, and explores what it can teach us about the man and his world. more

What Makes Franz Liszt Still Important?

What Makes Franz Liszt Still Important?

This week sees the 200th anniversary of the birth of Franz Liszt. Leon Botstein, President of Bard College and music director and principal conductor of the American Symphony Orchestra, explores what we can still learn from the life and music of Liszt. more