Athanasius, Underground

By John Glassie

With his enormous range of scholarly pursuits the 17th-century polymath Athanasius Kircher has been hailed as the last Renaissance man and "the master of hundred arts". John Glassie looks at one of Kircher's great masterworks Mundus Subterraneus and how it was inspired by a subterranean adventure Kircher himself made into the bowl of Vesuvius. more

Athanasius Kircher and the Hieroglyphic Sphinx

By Daniel Stolzenberg

More than 170 years before Jean-François Champollion had the first real success in translating Egyptian hieroglyphs, the 17th century Jesuit scholar Athanasius Kircher was convinced he had cracked it. He was very wrong. Daniel Stolzenberg looks at Kircher's Egyptian Oedipus, a book that has been called “one of the most learned monstrosities of all times.” more

Cat Pianos, Sound-Houses, and Other Imaginary Musical Instruments

By Thomas Patteson and Deirdre Loughridge

Deirdre Loughridge and Thomas Patteson, curators of the Museum of Imaginary Musical Instruments, explore the wonderful history of made-up musical contraptions, including a piano comprised of yelping cats and Francis Bacon's 17th-century vision of experimental sound manipulation. more

“Invisible Little Worms”: Athanasius Kircher’s Study of the Plague

By John Glassie

Living through the devastating Italian plague of 1656, the great polymath Athanasius Kircher turned his ever-enquiring mind to the then mysterious disease, becoming possibly the first to view infected blood through a microscope. While his subsequent theories of spontaneous generation and “universal sperm” were easily debunked, Kircher’s investigation can be seen as an important early step to understanding contagion, and perhaps even the very first articulation of germ theory. John Glassie explores. more