The Poet, the Physician and the Birth of the Modern Vampire

By Andrew McConnell Stott

From that famed night of ghost-stories in a Lake Geneva villa in 1816, as well as Frankenstein's monster, there arose that other great figure of 19th-century gothic fiction - the vampire - a creation of Lord Byron's personal physician John Polidori. Andrew McConnell Stott explores how a fractious relationship between Polidori and his poet employer lies behind the tale, with Byron himself providing a model for the blood-sucking aristocratic figure of the legend we are familiar with today. more

The Science of Life and Death in Mary Shelley’s Frankenstein

By Sharon Ruston

Professor Sharon Ruston surveys the scientific background to Mary Shelley's Frankenstein, considering contemporary investigations into resuscitation, galvanism, and the possibility of states between life and death. more

Frankenstein, the Baroness, and the Climate Refugees of 1816

By Gillen D’Arcy Wood

It is two hundred years since "The Year Without a Summer", when a sun-obscuring ash cloud — ejected from one of the most powerful volcanic eruptions in recorded history — caused temperatures to plummet the world over. Gillen D’Arcy Wood looks at the humanitarian crisis triggered by the unusual weather, and how it offers an alternative lens through which to read Mary Shelley's Frankenstein, a book begun in its midst. more

Visions of Algae in Eighteenth-Century Botany

By Ryan Feigenbaum

Although not normally considered the most glamorous of Mother Nature's offerings, algae has found itself at the heart of many a key moment in the last few hundred years of botanical science. Ryan Feigenbaum traces the surprising history of one particular species — Conferva fontinalis — from the vials of Joseph Priestley's laboratory to its possible role as inspiration for Shelley's Frankenstein. more

The Revolutionary Colossus

By Samantha Wesner

As the French Revolution entered its most radical years, there emerged in print a recurring figure, the collective power of the people expressed as a single gigantic body — a king-eating Colossus. Samantha Wesner traces the lineage of this nouveau Hercules, from Erasmus Darwin’s Bastille-breaking giant to a latter incarnation in Mary Shelley’s Frankenstein. more