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individuality
![The Man and *The Crowd* (1928): Photography, Film, and Fate](https://the-public-domain-review.imgix.net/essays/the-man-and-the-crowd/crowd-thumb.jpg?w=600&h=1200&auto=format,compress)
The Man and The Crowd (1928): Photography, Film, and Fate
“Make films about the people, they said”, Jean-Luc Godard once quipped, “but The Crowd had already been made, so why remake it?” Gideon Leek rewatches King Vidor’s classic, in which a young man with big dreams moves to New York City and becomes an identical cog who learns to love the machine of modernity. more
![“Here I Gather All the Friends”: Machiavelli and the Emergence of the Private Study](https://the-public-domain-review.imgix.net/essays/machiavellis-library/studiolo-home.jpg?w=600&h=1200&auto=format,compress)
“Here I Gather All the Friends”: Machiavelli and the Emergence of the Private Study
Reading is a form of necromancy, a way to summon and commune once again with the dead, but in what ersatz temple should such a ritual take place? Andrew Hui tracks the rise of the private study by revisiting the bibliographic imaginations of Machiavelli, Montaigne, and W. E. B. Du Bois, and finds a space where words mediate the world and the self. more