mirrors
Through the Cheval Glass: Reproduction in the Photographs of Clementina Hawarden
Soon after Clementina Hawarden began taking photographs in the mid-19th century, her eye caught on doubles, reflections, her daughters glimpsed in the mirror. Stassa Edwards examines the role that reproduction — photographic, biological — plays in this oeuvre, and searches for the only person not captured clearly: Hawarden herself. more