photography
The Serious and the Smirk: The Smile in Portraiture
Why do we so seldom see people smiling in painted portraits? Nicholas Jeeves explores the history of the smile through the ages of portraiture, from Da Vinci's Mona Lisa to Alexander Gardner's photographs of Abraham Lincoln. more
The Naturalist and the Neurologist: On Charles Darwin and James Crichton-Browne
Stassa Edwards explores Charles Darwin's photography collection, which includes almost forty portraits of mental patients given to him by the neurologist James Crichton-Browne. The study of these photographs, and the related correspondence between the two men, would prove instrumental in the development of The Expression of the Emotions in Man and Animals (1872), Darwin's book on the evolution of emotions. more
Julia Margaret Cameron in Ceylon: Idylls of Freshwater vs. Idylls of Rathoongodde
Leaving her close-knit artistic community on the Isle of Wight at the age of sixty to join her husband on the coffee plantations of Ceylon was not an easy move for the celebrated British photographer Julia Margaret Cameron. Eugenia Herbert explores the story behind the move and how the new environment was to impact Cameron's art. more
Yvette Borup Andrews: Photographing Central Asia
Although often overshadowed by the escapades of her more famous husband (said by some to be the real-life inspiration for Indiana Jones), the photographs taken by Yvette Borup Andrews on their first expeditions through Central Asia stand today as a compelling contribution to early visual anthropology. Lydia Pyne looks at the story and impact of this unique body of images. more
Canada Through a Lens: the British Library Colonial Copyright Collection
THE BRITISH LIBRARY — Phil Hatfield and Andrew Gray kick off our brand new Curator’s Choice series by taking a look at the fascinating array of photographs in the British Library’s Canadian Colonial Copyright Collection. more
MUSEUM FÜR KUNST UND GEWERBE (MKG) - Antje Schmidt, Head of Digital Cataloguing and MKG Collection Online, and Esther Ruelfs, Head of MKG's Photography and New Media Department, on the functions of sharing images, both historically and in the present. more
Photographing the Dark: Nadar’s Descent into the Paris Catacombs
Today the Paris Catacombs are illuminated by electric lights and friendly guides. But when Félix Nadar descended into this “empire of death” in the 1860s artificial lighting was still in its infancy: the pioneering photographer had to face the quandary of how to take photographs in the subterranean dark. Allison C. Meier explores Nadar’s determined efforts (which involved Bunsen batteries, mannequins, and a good deal of patience) to document the beauty and terror of this realm of the dead. more
Photographing the Tulsa Massacre of 1921
On the evening of May 31, 1921, several thousand white citizens and authorities began to violently attack the prosperous Black community of Greenwood in Tulsa, Oklahoma. Karlos K. Hill investigates the disturbing photographic legacy of this massacre and the resilience of Black Wall Street’s residents. more
Of the 270,000 photographs commissioned by the US Farm Security Administration to document the Great Depression, more than a third were “killed”. Erica X Eisen examines the history behind this hole-punched archive and the unknowable void at its center. more
Cliché-Verre and Friendship in 19th-Century France
In the 1850s, as photography took its first steps toward commercial reproducibility, a more intimate use for light-sensitive plates briefly bloomed. It had a few names: heliographic drawing, photographic autography, or, as it is best known today, cliché-verre. Miya Tokumitsu takes us to the towns and forests of France where a group of friends began making marks on photographic plates, and finds their camaraderie cohere in lyrical arrangements of topography and light. more
Scenes of Reading on the Early Portrait Postcard
When picture postcards began circulating with a frenzy across the United States and Europe at the turn of the twentieth century, a certain motif proved popular: photographs of people posed with books. Melina Moe and Victoria Nebolsin explore this paradoxical sign of interiority and find a class of image that traverses the poles of absorption and theatricality. more
