shelley
John Martin and the Theatre of Subversion
Max Adams, author of The Prometheans, looks at the art of John Martin and how in his epic landscapes of apocalyptic scale one can see reflected his revolutionary leanings. more
The Poet, the Physician and the Birth of the Modern Vampire
From that famed night of ghost-stories in a Lake Geneva villa in 1816, as well as Frankenstein's monster, there arose that other great figure of 19th-century gothic fiction - the vampire - a creation of Lord Byron's personal physician John Polidori. Andrew McConnell Stott explores how a fractious relationship between Polidori and his poet employer lies behind the tale, with Byron himself providing a model for the blood-sucking aristocratic figure of the legend we are familiar with today. more
The Dust That Measures All Our Time
From the mythical Sandman, who participates in dream and vision, to an irritating grain lodged in the beachgoer’s eye, sand harbours unappreciated power, however mundane. Steven Connor celebrates this “most untrustworthy” type of matter. more